Newspaper magnate, Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.
- Citizen Kane
"The Greatest Movie of All Time!" That's the general opinion of this movie, and I agree that it is a great movie, but I have seen better movies. The story of Citizen Kane is simple, a newspaper tycoon named Charles Foster Kane (Orson Welles) dies, and his last word is "Rosebud". No one knows what it means, and a reporter starts interviewing people Kane knew, to see if they know the meaning of "Rosebud". Through flash-backs we get to see Kane's life. Now, as I said, I don't agree that it's the greatest movie of all time, however it's great. I love this movie. It's a daring and controversial movie of its time, and it introduced alot of new technices in filmmaking. The acting is superb! Orson Welles as Kane is breathtaking, Joseph Cotten as Jed Leland is great. There's one performance I can hardly stand though and that's Dorothy Comingore's performance as Susan Alexander. Hideous performance to say the least! The writing is amazing, and Welles' directing is out-of-this-world! In conclusion, great movie (however not the greatest ever made). It's definitly a movie you need to watch! I give it a 9/10
I fondly recollect, growing up in Canada in the 70's and 80's, my mom taking my older sister and I to the cinema (my dad was more interested in watching bowling, hockey, or either crime shows, British sitcoms or hockey on TV). Despite all of his TV appearances over the years, and films he acted in to fund his own productions, the first time I was aware of Orson Welles was one of those startling and bizarrely professional yet unmistakably charismatic 'Paul Masson' wine commercials that they tend to make fun of on The Simpsons in these decades gone by. My first thought was 'that voice is amazing', then 'he looks like he'd be a fine grandfather or Santa Claus', and I instantly wanted to know who he was: Just the way he carried himself, I knew he must be both brilliant and someone who was really important. As you can tell, I'm not going to unnecessarily repeat all the endless accolades this film has gotten over the years. If you're any type of film lover, you have either seen this or will eventually--unless you're hit by a bus tomorrow (Heaven forbid) or something else drastic. It's a hallmark of what is possible in cinema. I waited until I was 46 to see this, because of its stellar reputation. It's not my favourite Welles--either acting or directing, and not by a long shot in either regard--but I'm very glad that I finally saw it, and I'll probably revisit it every couple of years for the rest of my life. There's just something really special about it that's hardly ever seen any more--and I think of that just as wistfully as Charles Foster Kane did about his beloved 'Rosebud'. That a 25-year-old could be so gleefully and breathtakingly experimental and innovative, yet still endlessly entertain, is nothing short of miraculous.