A young theatre director plans to do a reenactment of the 1941 Odessa massacre during a Bucharest Days cultural event despite the doubts of the city hall (the initiator of the event) and her personal problems.
The film is based on the historical event known as the Protest of Baraguá.
In this costume epic, the last days of Julius Caesar are chronicled.
The Russian Descendant of the Snow Leopard is based on a famous Kirghizian folktale. Apparently the Kirghizian folks had plenty of time to tell this story: to print a full synopsis would result in a novelette. Essentially, the story involves a proud group of highland hunters called the Snow Leopards, who in order to survive a brutal winter must request help from the Lowland people. The price for this assistance is the hand of the Snow Leopard's daughter, who is promised in marriage to a wealthy Lowland trader. During the Springtime wedding celebration, the trader becomes fascinated by a stranger who wins all the athletic contests. This "male" contestant turns out to be a woman, who has arrived to seek freedom for her imprisoned husband. The subsequent romance between the trader and the beautiful stranger results in disaster and bloodshed for both the Snow Leopards and the Lowlanders.
a film about japan's history of pink eiga.
An adaptation of Inoue Yasushi's novel about 8th-century Japanese monks traveling to China and bringing back Buddhist texts and other artifacts to Japan.
A film-détournement biography of Mao Tse-tung in which the life of the recently deceased Great Helmsman is told in his own words, using quotes culled from various Red Guard publications. The rise to power of the film's namesake appears as the inevitable outcome of a dialectical logical. Or so the voice-over might lead one to believe. If the usual practice of détourned films is for the soundtrack to undermine the image, here the reverse occasionally takes place. The images critique Mao's words. They show that which, even in the official visual record of the times, the narrative elides. The film is dedicated to Li Yhi Zhe, the nominal author of a famous Democracy Wall critique of the Maoist state.
Cast ashore on a desert island after a fierce ocean storm, fifteen school boys find their lives changed forever. Who cut the lines that sent their ship to sea with no captain or crew? Why are pirates after the boys' new-found friend? Will they ever get home again? The excitement unfolds in scene after thrilling scene.
Based on Vadakkan Pattukal, a collection of Northern Ballads of medieval origin.
No overview found.
A quiet French peasant has spent three years as a corporal on the front lines in World War I, and one day he cannot take it anymore and goes AWOL, escaping into the Alps in the southeast of France. He first takes leave of his wife before heading into the mountains and manages to survive in the breathtaking, vast landscape while using all the knowledge and wiles under his command. Even though the area around him is fairly isolated, another deserter arrives on the scene -- but he cannot take the solitude and leaves. As the peasant diligently works at his own survival, the police from the region know he is hiding out somewhere within their jurisdiction, and so his future is anything but secure. This subdued, pacifist film strives for distance rather than emotional involvement, so as to present a pacifist cause as reasonably as possible, but as a consequence, the routine of the deserter's existence verges on a grinding boredom.
The time is the French Revolution; the place is the village of Travers, ensconsed in neutral Switzerland. Prussian aesthete Herman Beyer is on the verge of divorcing wife Corinna Harfouch. Radical writer Uwe Kokisch, Corinna's lover, hopes to find a way of smoothing out animosities. What follows, however, is a nonstop drinking binge. The film subliminally addresses the then-prevalent issue of a divided Germany. Whether or not it succeeds is unimportant; Treffen in Travers (Reunion in Travers) has proven to be a crowd pleaser wherever it has been shown.